#reimagining maybe

[hoshizoralone]

reflection

[sneepity-snoop-snorpity-sneep]

SWK, putting on a mask: I will conceal my face and make this industrial pipeyard my bachelor pad so no one knows its me

also SWK: *has this epic motorcycle monkey sculpture on display*

IT EVEN HAS THE SAME BLING HE DOES SIR!!!

HOW DID NO ONE KNOW IT WAS YOU

[jakeperalta]

and when we get the taylor swift holiday collection (taylor's version). then you will see

[shyguygubbs]

I was thinking about kotlc recently and how the Black Swan originally wanted to wait to bring Sophie into the Lost Cities until way later, probably when she turned 18, and how different of a person Sophie would have been if that were the case.

Like at the start of the series, she's this child prodigy who has to go to community college in the fall at the age of 12 because her parents won't let her go to Yale (a totally valid parental choice btw), and the thing is I think she would have THRIVED in that environment. Like at first she would be scared and hesitant because in all other school environments she has been bullied for being as smart as she is, but now she's going into a school that people choose to go to in order to learn. Community college doesn't just have mean, jealous teenagers who attend, there are people of all ages and all walks of life who are ready to learn. Sure, Sophie would still be the youngest one there, and I doubt it would be super easy with the whole mind reading thing, but she would be in a much more supportive environment when it comes to learning than anything else she's experienced.

She'd be able to make friends with her peers, being able to bond over a shared love of whatever they're studying, and these friends don't think she's too smart or too weird. She maybe finds some way to muffle the voices in her head better than her earplugs did. Yeah, she still gets headaches, but she can manage it. I can see her taking as many classes as she can, figuring out her passions and what she might want to do as a career. She'd be in a fantastic place academically to transfer to any school she wants when she turns 18. I can even see her parents letting her graduate when she's 17 and allowing her to transfer to a four year college to get a bachelor's in whatever she wants to study, whatever she finds her passion for, because she worked hard for this, and doesn't hate school now, and has found a path for herself in life that feels right.

And then the Black Swan shows up and whisks her away from all of that, and she's heartbroken because she doesn't need to be taken away from everything she's worked so hard for. Yeah it feels nice to finally have the whole mind reading question answered, but she doesn't need a new place to belong, she has one. I imagine this Sophie being a lot more confident in herself, but a lot angrier too. She's fascinated by her new world, but desperately wants to go back home, to just live out the life she's been working towards. I can see her working side by side with the Black Swan from the jump, because she's in a world with injustice and she can't just sit back and let this slide, but constantly fighting back this resentment for them and how they took everything from her. I think of how canon Sophie had a brief moment of hesitation when it came to training her Telepathy, and I think this older Sophie would be conflicted between wanting to know more about this abnormality that she's been dealing with her whole life, and wanting to cling to her human identity and her old life as much as she possibly can. Because she's been ripped away from it, and no matter what her genetics say, this Sophie still views herself as human.

[lavaflowe]

Drawings for Chpt 1 of

By @xxtheturtlefromhellxx !!

Overall I love this fic to PIECES, more art is coming for it🙏 but seriously the way they write the characters is so good and YOU SHOULD GIVE IT A READ🫵

[velvetrooibos]

I recently started reading @kirihana ‘s steddie superhero fic and I am OBSESSED with how the comics and the show are coming together

[lainalit]

Summer Court Male Fashion

Today I was on Pinterest and was looking at pinboards for the summer court, and all the outfits in there were so generic European Medieval-centric or just fantasyesque, which is probably the fault of SJM bland Worldbuilding and fashion choices

So I decided to give The Summer Court, but specifically Tarquin, some West/South African inspired fashion

Casual Fits

Evening/ Court attire

Just some revealing fits maybe for the beach

Jewelry and accessoires

[vintage-bentley]

How in the fuck are you going to be anti trans and a Good Omens fan as if both the book and the show don’t explicitly establish the existence of several nonbinary characters and both Aziraphale and Crowley themselves are genderless beings

Not to mention both David and Michael’s staunch support of the LGBT (really emphasizing the T here, since you love to drop it) community as a whole, and David literally has a trans child

Part of me is even asking this in good faith because how do you see a series that is so incredibly queer and like it considering how much you shit-talk trans people on your lackluster TERF blog

There’s many reasons, actually! I’ll explain them in good faith, because I think that people who ask questions like this don’t understand the perspective of so-called “terfs” and assume we think like you do.

Firstly, I’m a feminist, so I’m used to media not aligning with my politics. I expect it, actually. Down to very simple things, like knowing I’m never going to go into a show and see a woman just existing with body hair like men do in shows all the time. But I’m comfortable and confident enough in my beliefs that I can consume media that doesn’t align with them. This extends to my feelings regarding gender. A they/them character doesn’t make my head explode, it’s just the same for me as seeing a Christian character (like Ella from Netlix’s Lucifer) or a female character who’s pro-beauty culture (like Elinor from First Kill). It’s a representation of a belief I don’t agree with and personally don’t believe in, that’s all.

Secondly, Good Omens is set in a made up universe with fantasy themes. I can easily get behind the idea that the true forms of angels and demons are genderless, because that makes sense to me in the same way God being genderless makes sense to me. This doesn’t have to carry over to me believing that humans can be genderless (I don’t believe in the concept of internal gender identity, because I don’t believe in souls. So I guess the better way to put this is that I don’t believe humans can be sexless unless we’re using gender and sex as synonyms). In the same way that it makes sense to me that angels and demons have souls that are put into bodies issued to them…but I don’t have to believe that also applies to humans. Or how it makes sense to me that Aziraphale and Crowley could survive without food, water, and sleep…but I don’t have to believe that also applies to humans. Etc. etc.

Basically, just because something is in a fantasy show, doesn’t mean I have to believe it’s real.

Thirdly, what the actors do in their own lives is none of my business. I don’t agree with supporting the TQ+ especially in relation to LGB (considering they’ve made it a primary goal to harass lesbians into pretending we can like penis, and to take every chance they get to express their hatred for homosexuality. I love to drop the T because they dropped me and my fellow homosexuals years ago). If two straight male actors want to do that, whatever. I also don’t agree with Sheen having a baby with a woman his daughter’s age, but that hasn’t stopped me from watching the show or appreciating his talent.

This all takes me back to what I said about believing you don’t truly understand the perspective of those you call “terfs”. Just because you might not be able to comprehend watching and enjoying something that doesn’t perfectly align with your worldview, doesn’t mean others feel the same. For example, many radical and rad-leaning feminists enjoyed the Barbie movie, despite it not being radical feminist. We’re capable of watching and enjoying things we don’t agree with, and of having discussions about why we don’t agree with it.

A much simpler answer to your question would be: I’ve always loved angels and demons and all things supernatural. I’ve always loved old cars. I love Queen. Religious/moral commentary and critique interest me. I love lighthearted comedies. I’m gay and starved for representation of healthy gay relationships. I love gay star-crossed lovers stories (go watch First Kill). Naturally, I’m going to love Good Omens, even if it doesn’t perfectly align with my worldview.

[sweetgreekcreep]

did anyone else in the tsp fandom have that oddly specific experience in 2022-2023ish of pointing out that "hey it's okay to enjoy stanley x narrator but you need to remember that the stanley parable isn't a happy wholesome boylove story and their relationship, romantic or not, is canonically not healthy" and get bullied off tumblr for a while by hoards of shippers. or was that just me ;-;

[transingthoseformers]

Oh my God you know what'd be fucked up

Sunder and Froid in TFA

[lily-avara]

The weapon.

TW: nudity

Also my commissions are open 👀

[unproduciblesmackdown]

dressing in these rehearsalllls....more instagram takeover from assistant director wesley mouri (pictured with corpse flower), shouting out costume designs by sully ratke, lighting design by allen lee hughes, set design by lex liang

ft. vie boheme (ronnette), gabrielle dominique (crystal), jason clusman (assistant stage manager), erica durham (chiffon), robert dorfman (mr. mushnik), will roland (seymour krelborn), china brickey (audrey), horace (corpse flower (inspiration for reimagined audrey ii puppet, chris lutter puppet designer btw got some vivacious stuff on that website))

[lonelimbless]

CL Rayman (or "Ramon") / REDESIGN.

☆ More info under cut!! ☆

To get this out of the way, I don't have any serious problems with Ramon's design, this is more of a fun redesign with some of my thoughts thrown in since I did had a few nitpicks to say the least.

Mostly, it was with the hair change and the shoes. I really don't get how it manages to stay slicked back without any hair gel, mainly based from one idle animation from SoH. And another thing with the shoes, I felt like I'm the only one who questions them. I get that it's meant to be some sort of callback to Hoodlum Havoc but still. For these reasons, I just gave him some yellow converse-like sneakers (or at least they're meant to be) and a shorter haircut which I hc he did himself. I was gonna go for a ponytail style but I think this works better, I think.

Also the bandaid on his nose was meant to be like a Movie Sonic situation where the bandaid was suppose to give the allusion of conjoined eyes. One thing, I still want to keep his hat and sunglasses but only when he's in hiding. Also, his hair would become more like his in-game hair color later down the line, that's mainly the intent.

I might give him some more touchups later on if I ever felt like it but I think I did a decent job with this one but that's only me.

[lucifer-kane]

I don’t know how to express how much I adore Camlann and it’s only been two episodes so far. There's a feeling I get when I'm listening that I don't know how to put into words, there's a familiarity to it, a thing of. Home? Rightness? I'm deeply enamored with it so far, that's the other thing, it's phenominal! The start of episode two with that monologue gave me chills and it was just fantastic. I think it's just a thing of wanting to live in this world in a sense? Plus the music and sound design, obviously so fantastic. But everything about the story and the world, it feels. Right. That's the only thing I can say that comes to mind currently is. Right.

[hiccupbutpurple]

One thing I love is listening to httyd eps while imaging different AUs and cause I’m bored, can’t go to my room rn (and found half of this sitting in my drafts from last month lol), I’ve decided to pass the time sharing one.

It’s from the latter part of Midnight Scrum (going from when Hiccup gets taken) and it’s a royalty AU (which I’ve seen a lot of floating around here recently too)

It’s the standard ‘Kidnapped Bride’ plot line, with King Viggo wanting Prince Hiccup. He puts the bounty on Hiccup to bring him in.

- Amos and Berthel are still bounty hunters but they are a bit more threatening and less silly, most of their sillier lines I ignore and imagine them said in a more threatening way. They still retain their gay energy though.

- Savage was originally one of Viggo’s servants and when Hiccup was first held captive, he was there to guard Hiccup’s cell. He was slightly kinder to Hiccup in that situation but then when Hiccup escapes, he gets blamed and exiled. That makes his whole motivation to get Hiccup to Viggo being to get back into Viggo’s good graces. Hiccup doesn’t trust him either way cause even if he was kinder then other guards, he still wasn’t kind. He does hold hope that he can reason with him originally though (because Hiccup knows he knows what Viggo is like) but Savage is very blinded by his goals.

- Throk is a well known assassin but gets hired by Mala a lot (and their relationship, I picture it platonically but romantically also works, grows over time until he becomes her personal assassin. At this time though he could be hired by anyone). The Defenders of the Wing are also another kingdom but there isn’t a war against Dragons and they hold no real allegiance to Berk and aren’t actual enemies to Viggo either. They are a neutral party but Mala does prefer Hiccup (but she’s not forthcoming about it) and thinks Viggo is cruel, so decided to help him by hiring her favourite assassin.

- Krogan is also an assassin/bounty Hunter (He and Throk have competed a lot in the past). He has no ties to Drago and was more Viggo’s personal assassin (and lover) before they had a fight. He decided to get Hiccup to see Viggo again and remind him of his skills in a threatening way. It’s a mixed message of ‘remember how much you need me’, a ‘here’s you new lover, I’m stronger then him (thus being more on you’re level, and I could kill him easily if I wanted)’ and a ‘dont forget how dangerous I can be to you and your goals’ type thing.

Some lines I’ve decided to alter slightly:

Berthel: What's that? Dragons? -> Berthel: What's that? / Amos: His friends. (Since they already knew of the dragons)

//////

Hiccup: Viggo will never respect you. He's playing you for a fool. -> Hiccup: You know Viggo will never respect you. Please. He's always played you for a fool.

//////

Savage: I don't know what they're gonna do to Hiccup. It's his own fault he got grabbed, not mine. -> Savage: I don't know where they’re gonna take Hiccup. It's his own fault Viggo sees him as a whore, not mine.

//////

Hiccup has a rough material built into his chest plate capable of creating sparks when striked against and uses that and a stone to light a stick on fire rather then the dragon blade. (Kinda a little hint of magic because I said so)

//////

Ryker: Oh, I'd love to drop you, but Viggo wants to kill you himself. -> Oh, I'd love to drop you, but Viggo wants you for himself.

[beezoobledoodles]

"We Are Born Of The Blood, Made Men By The Blood, And Are UnDone By The Blood"

(Got inspired by vicar Amelia to do a shrignold piece.)

(this also goes with some new lore about the cult, inorder for new bloods (or new members) to gain access to divine knowledge, they must make an "earthly sacrifice" and "detach" themself from their previous life. and inorder to be found "holy" or "pure" they must be MADE pure. a decision made by and only made by malcolm.) (a process shrignold has tried over and over when he was apart of the cult....unfortunatly- or maybe he was lucky he was never given divine knowledge...or made "pure")